![]() ![]() ![]() Many of those upcoming features however, are for the 20%. Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. Some MXF files previously transcoded with EditReady wouldn't load properly in EditReadyįix for an issue that truncated the last frame of some MXF files (thanks, David!)Īs the year ends, we're excited to ship our fourth major update to EditReady. Your Colorist Society had a strong presence at this year’s NAB in Las Vegas.ĬSI organized a number of events including, CSI Tours on the convention floor in which the Friends of CSI gave members a personalized tour showcase new products.Īdditionally, CSI co-founder Kevin Shaw held a daily informative presentation at the Dolby booth on ‘Mastering in HDR.’ CSI co-founder Jim Wicks was invited to speak on a panel hosted by AbelCine on ‘Understanding ACES.’ĬSI was also the invited guest of Grant Petty at Blackmagic Design announcing DaVinci Resolve 14 to the world’s press as well as the other great new products.Recreate the source folder hierarchy on the destinationįaster transcoding when also scaling, on Apple Silicon (Thanks, Michael!)įix for a potential crash transcoding R3D footage on Intel Macs (Thanks, Dorian!)įix for playing back rewrapped HEVC files in FCPįixes a crash when opening new BRAW media with accelerometer metadata (Thanks, Akio!) “Our members are the best professional colorists, DITs, color timers, finishers, color scientists working in motion pictures & television. If a picture is worth a thousand words, then a moving picture is worth millions.ĬSI proudly stands behind every word on the postcards that were given out during this year’s convention. One of the Most Sought After Postcards at NAB Hollywood movies and big TVCs will always take longer.” These examples are based on average budget projects. “Obviously, every TVC, movie or music video is different, so a rough guide is the best you can offer your client without seeing the footage. Warren Eagles, CSI, set out to answer the question every producer inevitably asks their colorist: how long will it take to grade this? Plans are already underway for next year’s Mixer In the Meantime, be sure to make plans to attend the Colorist Mixer at IBC in Amsterdam in September. If you missed out this year and could not attend take heart. Over 300 colorists, filmmakers, and industry executives celebrated the 5 th annual Mixer high atop Las Vegas on the 108 th floor of the Stratosphere Tower. The NAB Colorist Mixer was the best one yet. ![]() How Long Does It Take To Color Grade A Video
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